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Crafting

This is a selected bibliography relating to Crafting, just in English so far.

(last updated 11th April, 2007)

This page will contain more than just a bibliography once I get around to it!

With thanks to participants in the PUBLORE-L and SEM-L mailing lists.

• P. B. Allen. 1995. Art is a Way of Knowing. Boston: Shambala.
• Artlink. 1992. Special Issue: Thinking Craft, Crafting Thought 12(2). Henley Beach, Australia: Artlink Incorporated.
• Jack Barbash. 1968. "Union Interests in Apprenticeship and Other Training Forms." The Journal of Human Resources 3(1):63-85.
• H. Becker. 1972. "A school is a lousy place to learn anything in." In Learning to Work. B. Geer, ed. 173-190. Beverly Hills, CA: Sage.
• A. Bednar, D. J. Cunningham, T. Duffy, and D. Perry. 1995. "Theory in practice: How do we link?" In Instructional technology: Past, present, and future. G. Anglin, ed. 100–112. Englewood, CO: Libraries Unlimited.
• Kenneth Beittel. 1989. Zen and the Art of Pottery. Trumbull, CT: Weatherhill.
• Robert Bersson. 2005. "Building the Literature of Art Pedagogy."CAA News 30(5) Special Issue.
  http://www.collegeart.org/pdf/caa-news-09-05.pdf
• Mark Bevir. 1998. "William Morris: The Modern Self, Art, and Politics." History of European Ideas 24:175-194.
  http://repositories.cdlib.org/postprints/1097
• G.J.J. Biesta, and D. Osberg. 2007. "Updating the epistemology of schooling: Presence, representation and beyond." Interchange 38(1):13-29.
• R. Blythe. 1969. Akenfield. Harmondsworth: Penguin.
• Curtis Jay Bonk and Donald J. Cunningham. "Searching for Learner-Centered, Constructivist, and Sociocultural Components of Collaborative Educational Learning Tools."
  http://www.publicationshare.com/docs/Bon02.pdf
• Patrick Brantlinger. 1996. "A Postindustrial Prelude to Postcolonialism: John Ruskin, William Morris, and Gandhism." Critical Inquiry 22(3):466-485.
• R. A. Bray. 1911. Boy Labour and Apprenticeship. London: Constable.
• P. D. Brereton. 1970. Origins of the Victorian Apprenticeship Commission: a history of apprenticeship regulation in Victoria 1896-1927. Ph.D. Thesis, University of Melbourne.
• Carl Bridenbaugh. 1990. The Colonial Craftsman. Courier Dover Publications. (Google Scholar)
• Charles L. Briggs. 1987. Learning How to Ask Cambridge: Cambridge University Press. (Google Scholar)
• Simon J. Bronner. 1985. The Carver’s Art: Crafting Meaning from Wood. Lexington: University Press of Kentucky.
• J. S. Brown, A. Collins, and P. Duguid. 1989. "Situated cognition and the culture of learning." Educational Researcher 18(1):32–41.
• Hans Buechler. 1986. "Succession, Apprenticeship and Transmission of Knowledge Among Bolivian Artisans." Anthropology of Work Review 7(2):15-19.
• Helen Bullard. 1976. Crafts and Craftsmen of the Tennessee Mountains. Falls Church, VA: The Summit Press.
• Anthea Callen. 1985. "Sexual Division of Labor in the Arts and Crafts Movement." Woman's Art Journal 5(2):1-6.
• Tsia Carson. 2006. Craftivity: 40 Projects for the DIY Lifestyle. London: Collins.
• Richard Cary. 1998. Critical Art Pedagogy: Foundations for Postmodern Art Education. London: Routledge.
• Garth Clark and Beatrice Wood. 2001. Gilded Vessel: The Lustrous Life and Art of Beatrice Wood. Madison, WI: Guild Publishing.
• Linda Clarke and Christopher Winch. 2004. "Apprenticeship and Applied Theoretical Knowledge." Educational Philosophy and Theory 36(5):509–521.
• Margot Coates, ed. 1997. Pioneers of Modern Craft. Manchester: Manchester University Press.
• Martin Coles. 1990. "The 'Real Books' Approach: Is Apprenticeship a Weak Analogy?" Literacy 24 (2): 50–56.
• A. Collins. 1990. "Cognitive apprenticeship and instructional technology." In Educational values and cognitive instruction: Implications for reform. L. Idol and B. F. Jones eds. 119–136. Hillsdale, NJ: Lawrence Erlbaum Associates.
• A. Collins, J. S. Brown, and S. E. Newman. 1989. "Cognitive apprenticeship: Teaching the crafts of reading, writing, and mathematics." In Knowing, learning, and instruction: Essays in honor of Robert Glaser. L. Resnick, ed. 453–494. Hillsdale, NJ: Lawrence Erlbaum Associates.
• Michael William Coy. 1989. Apprenticeship: from theory to method and back again. New York: SUNY Press.
• Craftivism. Website run by Betsy Greer, which serves as a forum for the intersection of activism and crafting. Great site.
• Craftypod. Podcasts and a blog on crafting. Wonderful resource.
• Alan Crawford. 1997. "Ideas and Objects: The Arts and Crafts Movement in Britain." Design Issues 13(1):15-26.
• CROQ. Crafting zine. Please support them.
• William Darr. 1958. "Crafts versus a Technological Civilization." College Art Journal 18(1):58-61.
• Natalie Zemon Davis. 1982. "Women in the Crafts in Sixteenth-Century Lyon." Feminist Studies 8(1):46-80
• Patrick Dillon and Tony Howe. 2003. "Design as narrative: Objects, stories and negotiated meaning." International Journal of Art and Design Education 22(3):291-298. ---. 2007. "An Epistemology of Presence and Reconceptualisation in Design Education." Interchange 38(1):69-88.
• D. M. Dooling. 1979. A Way of Working: The Spiritual Dimension of Craft. New York: Parabola.
• P. Dormer, ed. 1997. The Culture of Craft. Manchester: Manchester University Press.
• P. H. Douglas. 1921. American Apprenticeship and Industrial Education. New York: Columbia University Press.
• O. J. Dunlop and R. D. Denman. 1912. English Apprenticeship & Child Labour, A History. New.York: Macmillan.
• Bernard Elbaum. 1989. "Why Apprenticeship Persisted in Britain But Not in the United States." The Journal of Economic History 49(2):337-349.
• G. Elinor, S. Richardson, S. Scott, A. Thomas, K. Walker, eds. 1987. Women and Craft. London: Virago Press.
• S. R. Epstein. 1998. "Craft Guilds, Apprenticeship, and Technological Change in Preindustrial Europe." The Journal of Economic History 58(3):684-713.
• Timothy H. Evans. 1988. "Folklore as Utopia: English Medievalists and the Ideology of Revivalism." Western Folklore 47(4):245-268.
• J. Farleigh. 1945. Fifteen Craftsmen and Their Crafts. London: The Sylvan Press.
• F. Fomin. 1991. Apprenticeship and the wages boards in Victoria 1896-1914. Ph.D. Thesis, University of Melbourne.
• R. Frances. 2001. The Politics of Work: Gender and Labour in Victoria 1880-1939. Oxford: Oxford University Press.
• Jeanne Gamble. 2003. "Retrieving the general from the particular: the structure of craft knowledge." Journal of Education 29:73-92.
  ---. 2004. "Modelling the Invisible: the pedagogy of craft apprenticeship." Studies in Continuing Education. 23(2):185-200.
• Elizabeth Garber. 2002. "Craft Education in Finland: Definitions, Rationales and the Future." International Journal of Art & Design Education 21(2):132–145.
• Paul A. Gilje, Howard B. Roch, Robert Asher, eds. 1995. American Artisans: Crafting Social Identity, 1750-1850. Johns Hopkins University Press (Google Scholar)
• H. Glassie. 1972. Passing the Time in Ballymenone. Bloomington: Indiana University Press.
  ---. 1989. The Spirit of Folk Art. New York: Harry N. Abrams.
  ---. 2006. The Stars of Ballymenone. Bloomington: Indiana University Press.
• Howard F. Gospel. 1994. "The survival of apprenticeship training: a British, American, Australian comparison." British Journal of Industrial Relations 32(4):505–22.
• D. Bob Gowin and Debra A. Dyason. 1984. Connecting the Humanities and the Sciences: An Event Epistemology for Peace. Journal of Aesthetic Education 18(4):87-94.
• M. Graham, ed. 1987. Oxford City Apprentices, 1697–1800. Oxford: Clarendon.
• P. Greenhalgh, ed. The Persistence of Craft: The Applied Arts Today. London: A&C Black.
• Peter P. Grimmett and Allan M. MacKinnon. 1992. "Craft Knowledge and the Education of Teachers." Review of Research in Education 18:385-456.
• F. Grubb. 1997. "Does Bound Labour Have To Be Coerced Labour? The Case of Colonial Immigrant Servitude Versus Craft Apprenticeship and Life-Cycle Servitude-in-Husbandry." Itinerario: European Journal of Overseas History 21:28–51.
• Robert Halpern. 2006. "After-School Matters in Chicago: Apprenticeship as a Model for Youth Programming." Youth & Society 38(2):203-235.
• G. Hamilton. 1995. "Enforcement in Apprenticeship Contracts:Were Runaways a Serious Problem? Evidence from Montreal." Journal of Economic History 55:551–574.
• S. Hamilton. 1990. Apprenticeship for adulthood: Preparing youth for the future. New York: Free Press.
• Ziggy Hanaor, ed. 2006. Making Stuff: An Alternative Craft Book. London: Black Dog Publishing.
• Gregory Hansen. 2007. A Florida Fiddler: The Life and Times of Richard Seaman. Tuscaloosa: University of Alabama Press.
• D. Harper. 1992. Working Knowledge: Skill and Community in a Small Shop. Berkeley: University of California Press.
• A. Heikkinen, T. Lien, and L. Mjelde. 1999. Work of Hands and Work of Minds in Times of Change. Tampere: University of Tampere Press.
• Tony Howe and Patrick Dillon. 2001. "Cultural niche and the contexts of craft, design and fine art." The Design Journal 4(3):50-57.
• Laurel Horton. 2006. Mary Black's Family Quilts: Memory and Meaning in Everyday Life. Columbia, SC: University of South Carolina Press.
• David Wei Loong Hung. 1998. "Epistemological change through peer apprenticeship learning: From rule-based to idea-based social constructivism." International Journal of Computers for Mathematical Learning 3: 45–80.
  ---. 1999. "Activity, apprenticeship, and epistemological appropriation: Implications from the writings of Michael Polanyi." Educational Psychologist 34(4):193-205.
• M. Hunt. 1999. The Stone Carvers: Master Craftsmen of Washington National Cathedral. Washington D.C.: Smithsonian Institution Press.
• D. Jensen. 2004. Walking on Water: Reading, Writing, and Revolution. White River Junction: Chelsea Green Publishing.
• Don Hanlon Johnson. 2002. "Sitting, Writing, Listening, Speaking, Yearning: Reflections on Scholar-Shaping Techniques."
  http://donhanlonjohnson.com/newsite/pages/articles_sitting.html
• J. Johnson. 2002. Exploring Contemporary Craft: History, Theory, and Critical Writing. Ontario: Harbourfront Centre.
• M. O. Jones. 1975. The Hand Made Object and Its Maker. Berkeley: University of California Press.
  ---. 1987. Exploring Folk Art: Twenty Years of Thought on Craft, Work, and Aesthetics UMI Research Press.
  ---. 1989. Woodworking traditions in Lindsborg, Kansas: An overview with recommendations for documentation, presentation, and development. Los Angeles: Folklore and Mythology Center, University of California.
  ---. 2003. Craftsman of the Cumberlands: Tradition & Creativity. Lexington: University Press of Kentucky.
• E. Jorgensen. 1996. "The artist and the pedagogy of hope." International Journal of Music Education. 27:36-50.
• R. Kane and M. Lewis-Kane. 2004. M.C. Richards: The Fire Within. DVD/Video. Sedgwick, Maine: Kane-Lewis Productions.
• Grant H. Kester, ed. 1998. Art, Activism and Oppositionality: Essays from "Afterimage". Durham: Duke University Press.
• Michael S. Kimmel. 1987. "The Arts and Crafts Movement: Handmade Socialism or Elite Consumerism?" Reviewed Work(s): Art and Labor: Ruskin, Morris, and the Craftsman Ideal in America. by Eileen Boris. C. R. Ashbee: Architect, Designer and Romantic Socialist. by Alan Crawford. Gustav Stickley: The Craftsman. by Mary Ann Smith. Redesigning the World: William Morris, the 1880's, and the Arts and Crafts. by Peter Stansky. Contemporary Sociology 16(3):388-390.
• C. Kinmouth. 1993. Irish Country Furniture 1700-1950. New Haven: Yale University Press.
• Ruth Kinna. 2000. "William Morris: Art, Work, and Leisure." Journal of the History of Ideas 61(3):493-512.
• D. Kleiber. 1999. Leisure experience and human development. New York: Basic Books.
• Gary J. Kornblith. 1985. "The Craftsman as Industrialist: Jonas Chickering and the Transformation of American Piano Making." The Business History Review 59(3):349-368
• Maryanne Kowaleski and Judith M. Bennett. 1989. "Crafts, Gilds, and Women in the Middle Ages: Fifty Years after Marian K. Dale." Signs 14(2):474-501.
• Stella Kramrisch. 1958. "Traditions of the Indian Craftsman." The Journal of American Folklore 71(281):224-230.
• R. A. Laird. 2001. Grain of Truth: The Ancient Lessons of Craft. New York: Walker Books.
• J. Lane. 1996. Apprenticeship in England, 1600–1914. Boulder, CO: Westview Press.
• D. Lee. 1979. "Craft unions and the force of tradition: the case of apprenticeship." British Journal of Industrial Relations 17:34-49.
• James Michael Limbaugh. 2004. Pressing Hands to Clay: The Phenomenological Experience of the Advisor as Potter. Ph.D. Dissertation, University of Maryland, College Park.
  https://drum.umd.edu/dspace/bitstream/1903/1385/1/umi-umd-1388.pdf
• David Lister. "Origami and the Spiritual." http://www.britishorigami.info/academic/lister/spiritual.htm
• Peter Lloyd. 1953. "Craft Organization in Yoruba Towns." Africa: Journal of the International African Institute 23(1):30-44.
• Leverett S. Lyon. 1920. "Medieval English Apprenticeship as Business Education." The School Review 28(8):585-599.
• Norman Maclean. 1976. A River Runs Through It, and Other Stories. Chicago: University of Chicago Press.
• Trevor H. J. Marchand. 2001. Minaret Building and Apprenticeship in Yemen. London: Routledge. (Google Scholar)
• Sally J. Markowitz. 1994. "The Distinction between Art and Craft." Journal of Aesthetic Education 28(1):55-70.
• C. Miele. 1995 "'A Small Knot of Cultivated People'. William Morris and the Ideologies of Protection." Art Journal 54:73-79.
• Elliot George Mishler. 1992. Storylines: Craft Artists' Narratives of Identity. Cambridge, MA: Harvard University Press. (Google Scholar)
• Liv Mjelde. 1987. "From Hand to Mind." In Critical Pedagogy and Cultural Power. D. Livingstone, ed. South Hadley, MA: Bergin and Garvey.
  ---. 1990. "Labour and learning: The apprenticeship program in Norway." Interchange. 21(4):34-48.
• Brian D. Moeran. 1981. "Yanagi Muneyoshi and the Japanese Folk Craft Movement." Asian Folklore Studies 40(1):87-99.
• A. L. Morton, ed. 1973. Political Writings of William Morris. London: Lawrence and Wishart.
• Lewis Mumford. 1952. Art and Technics. New York: Columbia University Press.
• C. Needleman. 1993. The Work of Craft: An Inquiry into the Nature of Crafts and Craftmanship. Tokyo: Kodansha International.
• Roger Neighbour. 2004. The Inner Apprentice: An Awareness-Centred Approach to Vocational Training for General Practice. Oxford: Radcliffe Publishing. (Google Scholar)
• D. Northrup. 1995. Indentured Labor in the Age of Imperialism, 1834–1922. New York: Cambridge University Press.
• S. S. Obidi. 1995. Skill Acquisition through Indigenous Apprenticeship: a case study of the Yoruba blacksmith in Nigeria. Comparative Education 31(3):369-384.
• David Pariser. 1983. "The Arts, Cognition, and Craft: Implications for Teaching and Research." Art Education 36(2):50-57.
• Andrew Phelan. 1981. "The Bauhaus and Studio Art Education." Art Education 34(5):6-13.
• Reynolds Price. 1998. Learning a Trade - CL: A Craftsman's Notebooks, 1955-1997. Durham. NC: Duke University Press.
• D. Pye. 1968. The Nature and Art of Workmanship. Cambridge: Cambridge University Press.
• I. M. G. Quimby. 1985. Apprenticeship in Colonial Philadelphia. New York: Garland.
• I. M. G. Quimby, ed.. 1984. The Craftsman in Early America. New York: W. W. Norton and Co.
• John Ray. 2001. "Apprenticeship in Australia: A Concise History."
  http://www.ncver.edu.au/research/proj/nr0025/ray.pdf
• John Ray. 2001. Apprenticeship in Australia: An historical snapshot.
  http://www.ncver.edu.au/research/proj/nr9011.pdf
• M. C. Richards. 1973. The Crossing Point: Selected Talks and Writings. Middletown, CT: Wesleyan University Press
  ---. 1989. Centering: In Pottery, Poetry, and the Person. Middletown, CT: Wesleyan University Press.
• Seonaid M. Robertson. 1952. Creative Crafts in Education. London: Routledge and Kegan Paul.
  ---. 1961. Craft and Contemporary Culture. London: UNESCO/Harrap.
  ---. 1963. Rosegarden and Labyrinth: A Study in Art Education. London: Routledge and Kegan Paul.
• B. Rogoff. 1990. Apprenticeship in thinking: Cognitive development in social context. New York: Oxford University Press.
• W. J. Rorabaugh. 1986. The Craft Apprentice: From Franklin to the Machine Age in America. New York: Oxford University Press. (Google Scholar).
• S. V. Salinger. 1987. To Serve Well and Faithfully. New York: Cambridge University Press.
• John Saltmarsh. 1950. Review: Calendar of the Bristol Apprentice Book, 1532-1565. Part I: 1532-1542. by D. Hollis. The Economic History Review 3(2):243-245.
• Ronald Schultz. 1987. Review: The Craft Apprentice: From Franklin to the Machine Age in America. By W. J. Rorabaugh. Reviews in American History 15(2):226-231.
• Richard A. Schwartz and Kemp Williams. 1995. "Metaphors We Teach by: The Mentor Teacher and the Hero Student." Journal of Aesthetic Education 29(2):103-110.
• J. F. Scott. 1912. "Apprenticeship under the English Gild System." The Elementary School Teacher 13(4):180-188.
• David Shaw-Smith. 1984. Ireland’s Traditional Crafts. London: Thames and Hudson.
• John Shields. 1990. Skill reclaimed: craft work, craft unions and the survival of apprenticeship in New South Wales, 1860-1914. PhD Thesis, University of Sydney.
  ---. 1995. "Deskilling revisited: continuity and change in craft work and apprenticeship in late nineteenth century New South Wales." Labour History 68:1-29.
  ---. 1995. "A matter of skill: the revival of apprenticeship in early twentieth-century NSW." Journal of Industrial Relations 37(2):236-262.
• N. Ken Shimahara. 1998. "The Japanese Model of Professional Development: Teaching as Craft." Teaching and Teacher Education 14(5):451-62.
• Richard Siegesmund. 1998. "Why Do We Teach Art Today? Conceptions of Art Education and Their Justification." Studies in Art Education 39(3):197-214.
• R. I. Simon, ed. 1987. "Empowerment as a pedagogy of possibility." Language Arts 64(4): 374-377.
• John Singleton, Roy Pea, John Seely Brown, and Christian Heath, eds. 1998. Learning in Likely Places: Varieties of Apprenticeship in Japan. Cambridge: Cambridge University Press. (Google Scholar).
• Amy Spencer. 2007. The Crafter Culture Handbook. London: Marion Boyars Publishers
• W. Streeck. 1989. "Skills and the limits of neo-liberalism, the enterprise of the future as a place of learning." Work, Employment and Society 3:89-104.
• Thorsten Stromback. 2006. "By Chance or Choice: The Regulation of the Apprenticeship System in Australia, 1900-1930."
  http://www.cbs.curtin.edu.au/files/06_3.pdf
• Gordon Sutton. 1967. Artisan or Artist?: A History of the Teaching of Art and Crafts in English Schools. Oxford: Pergamon Press.
• E. P. Thompson. 1955. William Morris: Romantic to Revolutionary. London: Merlin Press.
• P. Thompson. 1993. The Work of William Morris. Oxford: Oxford University Press.
• Alan R. Tom. 1980. "Teaching as a Moral Craft: A Metaphor for Teaching and Teacher Education." Curriculum Inquiry 10(3):317-323.
• W. J. Turner, ed. 1948. British Craftsmanship. London: Collins.
• L. Unwin and J. Wellington. 1995. "Reconstructing the work-based route: lessons from Modern Apprenticeship." The Vocational Aspect of Education 47:337-352.
• Richard Van Heertum. 2006. "Marcuse, Bloch and Freire: reinvigorating a pedagogy of hope." Policy Futures in Education 4(1):45-51.
• John Michael Vlach. 1981. Charleston Blacksmith: The Work of Phillip Simmons. Athens, GA: The University of Georgia Press.
  ---. 1992. Charleston Blacksmith: The Work of Phillip Simmons. Columbia, SC: University of South Carolina Press. The Phillip Simmons Foundation
• Lauren S. Weingarden. 1985. "Aesthetics Politicized: William Morris to the Bauhaus." Journal of Architectural Education 38(3):8-13.
• Elizabeth Willis. 2005. "The Poetics of Affinity: Lorine Niedecker, William Morris, and the Art of Work." Contemporary Literature 46(4):579-603.
• Francis W. Wolek. "The skill development processes of apprenticeship." International Journal of Lifelong Education. 18(5):395-406.
• Jack David Zipes. 2004. Speaking Out: storytelling and creative drama for children. New York: Routledge. (Google Scholar)

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